PROJECTS (select)

Project "Interactive television for all age category" is project applicable to earth strap, earthbound also internet broadening. It is built on principle interworking coupling and cooperation two also any more adjoining of national also border micro-regions as base birth cell grid in terms of region continental. Including assuring cyclic drum switch structures and authentic ideas framework fabrication content fillings application. Otakar Jaluvka is author of project.

Insight from outside is how problem solving communities and companies.

Project "Insight from outside" is authentic, quick realizable and extremely effective how, that has under aim disclosure and removal all sorts of trouble and difficulties communities, companies also other entities. Attainment insight from outside is announcement letter portfolios likely achievement solution, and this frequently also without the need by other additional cargo and investment and benefiting current capacities, apparatus also personne.

This how is based on the principle harnessing equal and an independent insight from outside, on distance and top wiew, free of about so called professional deformations and professional blindness, as the case may be functional blindness, on equal and independent goods analysis thereof, on that, that nothing is perfect and all goes through ceaseless continuous process of developments, on facts, as though always founds solution, if they do actually he is wanted, further on actualities, as though any more head any more knows and have also do not only on my aged practice it and acquaintance for different branch and areas fabrication, bargain, of services also business enterprise.

Is disproving, as though insight from outside can bewray many, what stays internal insight hid and in his aftereffect registered announcement letter portfolios design, brainchild, solution, change and adaptation has after theirs post factum administration in practice have in the bag guarantee fruitfulness.

My insight from outside directly implements engineered solutions.

Advantage of and priority my model "Insight from outside" against by others consultancy entities in the area board of management consulting is in Czech republic first and alone contingency actual harnessing do not only projecting, but abreast with also executions concrete registered engineering adaptation and innovative betterment, enriched perhaps perhaps even about fresh patents, utility and industrial designs and the like, which effect applicat administration those methods in practice multiplies.

Assertion "of my insight from outside" consisting as necessary in reticent consultations and in the studios clean cloth, in following in ground space even business, in admeasurement, in marketing background research, in calculations, further after in analysis thereof status and disclosure causation trouble and consequently in option is selected proposal change, adaptation and innovations (eg. augmentation or change assortment, restructure, specialisation, communication, optimization web presentation SEO, adequate advertising and promotion, mode switching and conditions distribution, part engineering and constructional alterations product, improvement, oversimplification processes, alterations achievement, parameter, making, styling, clean cloth, casing, fresh patents, utility designs also industrial designs, licence and the like), which would combined with design appropriate to next philosophy have had aid contribute to fast removal causation trouble, betterment status, pop. deterrence hazards danger or by other call blocking.

Nonsubjective causes trouble can be development and change circumstance in the market, rise in prices and cargo, conditions, effect crisis, effect of competition and the like, these albeit cannot directly exert influence up, but can them applicably acclimate oneself. By contraries attitudinal causes trouble can be as for example noneffective cables (disinclination or an inability to comply fresh conditions, few creative board of management, functional blindness, bad addiction and long customs, bad habit and complexes), aged methods, breeding and goings, as useless as a fifth wheel complexity, costliness and engineering obsoleteness product, uncompetitiveness, dead law web presentation and the like, as well additional hinzugefügt too busyness ain acitivities and cogitation beyond contingency betterment or perpetuation, further so called. professional deformations and professional blindness, functional blindness, absence time, inflation pressure, accountability, stress, capacity utilization, adaptation etc. This all also lot more is necessary bewray, name and attempt be changed by, this all it is completely in our power!

This how for different nonsubjective and us unswayed causation albeit cannot ensure always accomplishment on 100 %, but but can thanks to autonomous adjudication and analysis thereof aid objectively, out of all show, sentimentality, vanity and self deceptively discreetly bewray and name causes birth trouble, may help catch napping basis and conjecture and actualize appropriate to alternations, solution, ideas and alterations, find adequate philosophy and aid conjecture post factum for a short term, medium term also forward loading.

For these reasons is has version "insight from outside" meaningful and administration and harnessing in practice can be maximally advantageous and beneficial. Case in the case of any trouble is anyone all right advice above rubies and by business enterprise also any other weighing charge activities it pays twice. And pays it do not only case in the case of trouble and perpetuation, but before i inauguration any commercial activities and projects. At the same time price of such service in case finding achievement solution can make sheer tiny fraction of against degree and fruit, which this "insight from outside" may bring. And this assuredly stands out for consideration.

Author of it is i implementer projects.

a retrospective audio-visual and audio programme, utilising an original period technique and original recordings, surveying the origin and history of our pop-music of the 1st half of the 20th century, including its symbiosis with theatre and film (Osvobozené divadlo, V+W. etc.).

Nice and good evening, ladies and gentlemen. No, you don't have to be afraid, we are not going to learn you how to dance the charleston, and honestly speaking we even don't know how to dance it. We would like to welcome you, though, to the listening of the oldies, out of which a number arouses already nostalgic reminiscences only, or an indulgent smile. Today, one can hardly imagine oneself into the period where a radio set was possesed by few chosen, TV didn't exist and films were, unfortunately, still silent. Only carriers of modern pop-music were turntables and music bands, or miscellaneous, more or less familiar songsters, performing in cafés, clubs, theatres, or in, at that time a fashionable novelty, cabaret.

The young listeners, who are today, almost at every step and from all sides without problems surrounded by music of any sort, can only hardly imagine themselves into the atmosphere, where something like that was far from being so matter-of-course.

As everywhere in Europe also in our country the new sort of popular music was felt as something foreign and implanted into the domestic tradition. It took a long time before people learnt how to listen to the new music whose impulses lay over the ocean and domestic composers and performers more or less invested them with a becoming jacket of a domestic cut.

However, let us abandon the theorising and at last we could reveal to you what we have prepared for you for today. It is six personages, who have left most distinguished traces in the history of our popular music, some interesting things from their lives and of course, that we haven't forgotten music samples.

Listening to the original historical recordings we have to tolerate at times even some imperfections, that have been caused by the fact that the original matrices haven't been preserved and therefore the period recordings have had to be necessarily copied from more or less used, old original recordings, as our goal is to present only authentic originals…

a further audio-visual programme, utilising an original period technique and authentic recordings, devoted to the personages who have left most distinguished traces in the history of our popular music.

After the end of World War II nearly a twenty-year long period of performing of the Vlach's Orchestra in the ABC Theatre together with Jan Werich started. In the 1950's the Orchestra is not allowed to play outside the Theatre and nobody knows why. It is a period of reflections about a new message of pop-music.

Under the given circumstances it is a revolutionary process, in which, besides its overall positive trend and impact, some mistakes also appear. In this case it is an one-idea'd negative way of looking at jazz, and unfortunately, however, chiefly at its American origin… This period of seeking of new development trends of pop-music was overbridged by Karel Vlach with his recording of Jaroslav Ježek's production from the Osvobozené divadlo, like for example the song by Jan Werich from the play "Kat a blázen (The Executioner and the Fool) --- Šaty dělaj člověka (Fine Feathers Make Fine Birds) he sang together with Jiří Voskovec in 1934.

On February 26, 1986, one famous chapter of Czech jazz, modern pop-music and the original song writing of Czech authors is definitively closed. The heart of the man who devoted all his life solely and exclusively to music beat its last. The Orchestra needs only two years to its unbelievable fifty-year existence.

What to say by way of conclusion? Perhaps one thought of his, which always has been, is and will be valid: "A life with music ain't easy but it is beautiful!"

With the Farewell Waltz we also are parting with you and hopefully we will meet again to recall to our minds in our "Veteran-discotheque" how that all actually started and what preceded what is called nowadays a modern popular music as we know it and listen to nowadays.

See you soon in some of our next programmes.

Part 1 - Josef Kainar. A composed audio programme, devoted to his set-to-music poetic texts rendered by various performers in various genres and music styles.

Skladba "Kuře v hodinkách" rockové skupiny Flamengo a zpěváka Vladimíra Mišíka, ukázka ze stejnojmenné dlouhohrající desky, patří už řadu let do zlatého fondu domácí rockové hudby. Obsahuje původní českou rockovou tvorbu, spojující moderní postupy v aranžmá s ryze domácí melodikou a v písňové tvorbě tvůrčím způsobem využívá básnických textů národního umělce Josefa Kainara.

A právě tuto osobnost, všestranně nadaného básníka, píšícího bez sentimentality a banalit, jimiž je populární hudba zamořena, bych Vám rád představil ve spojení s různými hudebními žánry.

Ale začněme od začátku...

Když si člověk poslechne desku Vladimíra Mišíka a skupiny Etc.. "Stříhali dohola malého chlapečka", stávají se pro něj zcela bezpředmětné veškeré diskuze o tom, zda může být i populární hudba uměním, nebo zda je pouze pokleslým žánrem. Podobně i otázka spojení moderní populární hudby s básnickým textem, s literaturou v té nejryzejší podobě. Je to balada o přistřižené touze bezbranného dítka, bohatě metaforická báseň, takové malé drama v kostce, nesnadno sdělitelné jinými než básníkovými slovy. Je to svět malé, dětské a nechápající úzkosti, do nějž se asociativně prolíná svět dospělý, zkušený a skeptický.

Tato píseň dostala folkrockovým impulsem Vladimíra Mišíka umocněnou působivost...

or the First Czech Original Erotic Comedy (1998). A screen adaptation of his own literary exemplar of the same name - stories of comtemporary life. A feature film. Everything runs under comical circumstances and from a bird's eye view.

The script extract (the beginning)

Obraz 1. Vesnická diskotéka

Blikají barevná světla, silně nakouřeno, hlučná a rychlá hudba, titulková montáž. Po jejich skončení začne uvádět koktající diskžokej pomalou skladbu, sem tam přeskakuje deska.

Střídavé záběry na tančící páry: Velmi vysoká s malým partnerem, lesbičky, tlustý pár, dva homosexuálové a jiné karikatury. Chlapci se pohybují se silně ztopořenými údy, zřetelně se rýsujícími přes kalhoty, dívky zase pohazují vystrčenými zadečky, naditými v krátkých šortkách či přiléhavých minisukních a z hlubokých výstřihů jim vylézají kyprá poprsí. Všichni se silně potí.

Záběr na samostatně tančící dívku Blanku, která se zahledí směrem ke vchodu do sálu a zpozorní.

Ve dveřích stojí voják, a od ostatních návštěvníků se liší tím, že je o něco starší, také o něco větší a hlavně fešák. Zkušeným okem hodnotí situaci - není ji zrovna nadšen. Blanky si nevšimne.

Skrz tančící dav se prodírá k baru, kde zaujme místo vedle pěkné, byť tak trochu kypré dívky, Mileny.

Navazují spolu hovor, který však zaniká v hluku diskotéky.

Vojákovi se dívka zjevně líbí, taktéž dívce se voják zamlouvá a vine se k němu.

Z davu se k nim protlačuje Blanka, staví se mezi ně a ptá se kypré dívky:

an episode of the series "As Life Passes", of a cycle of short mime comical stories - grotesques of contemporary life, depicting a life around us. This part is about what can be caused by such a failure...

The script extract (the beginning)

Obraz 1. Před domem

Obraz 2. Obývací pokoj

Obraz 3. Předsíň

an episode of the series "As Life Passes" - short, deeply human, grotesque-to-morbid story of contemporary life about that each, even though seemingly insoluble situation has its solution, if, though, it is being sought and found... Unfinished more themes and sequels.

The script extract (the beginning)

Obraz 1. - Kuchyně

Obraz 2. - Před domem

contemporary romantic-dramatic story, inspired by real events and is a further film adaptation of his own literary exemplar (2001). He wrote for this film also two lyrics.

The script extract (the beginning)

OBRAZ 1.
F-M - nemocnice-pracoviště CT

a summer story of young people is similarly a screen adaptation of his own literary exemplar of the same name highlights negative affetcts of alcohol and drugs, touches also cancer and AIDS issues. A feature film. The story end is made purposely in such a way that it afford him a space for a prepared loose sequel.

The script extract (the beginning, 2.obraz)

OBRAZ 2.
Olomouc - TV studio-střižna

Kdyby všechny děti poslouchaly a kopírovaly své rodiče, dodnes bychom žili na stromech.

Kdo pracuje od krku dolů, může se umazat. Kdo pracuje od krku nahoru, může zbohatnout.

Je lepší být sám, než ve špatné společnosti.

I slunce, tak zářící a hřejivé, má své skvrny.

Peníze nám umožňují lépe snášet chudobu.

Ani orel nic neuloví, pokud se mu nedovolí vzlétnout.

Vítězství je pocta, ale porážka neznamená hanbu.

Hlavu máme na to, abychom nemuseli nosit starosti na ramenou.

Pomocnou ruku nalezneme na konci svého ramene.

Člověk si nejvíc váží toho, co si musel vydobýt, a to tím víc, čím to bylo těžší.

Zadarmo zpívají akorát ptáci.

Normální lidé jsou zavřeni v blázincích a blázni jsou na svobodě.

Čím více se mluví, tím méně se myslí.

Kdo seje hustě, sklízí tence.

Láska je matkou bolesti.

Jen ten, kdo prohrává, má v Čechách kamarády.

Když nemůžeš - musíš!

Za každé štěstí se platí, a ta cena je vysoká.

Neúspěch je pouze další úsek cesty k cíli.

Jakmile přestanete něco zlepšovat, začne se to zhoršovat.

Existence vzájemného vztahu je podmíněna ochotou obou stran stavět na tom, co je spojuje, nikoliv na tom, co je rozděluje.

Očekáváme-li nepříznivý výsledek, dočkáme se ho.

Peníze se půjčují zásadně od pesimistů. Ti nepočítají s tím, že je dostanou zpět.

Gól je vždy způsoben chybou.

Mluviti stříbro, mysleti zlato.

Většina lidí chápe svůj život pouze jako biologický proces mezi narozením a smrtí.

Budoucnost je to, v čem strávíme zbytek života.

Mnozí lidé čtou jen proto, aby nemuseli myslet.

Čím více slov, tím méně smyslu.

Kdo nedává lásku celou, nedává nic.

Celý život studuji, abych nakonec hloupě umřel.

Jen anglický trávník a anglický gentleman se denně holí.

Co můžeš udělat dnes, můžeš udělat i zítra.

Co je pravda, to dokázat nelze. Co pravda není, to lze dokázat lehce.

Kontrolou nad příčinou vzniká kontrola nad následkem.

Polovina úspěchu řešení každého problému spočívá v jeho správné definici.

Je radostí a požitkem nechat se vyhodit na dlažbu značky Beta!

Ke každé botě Baťa - druhá bota zdarma!

Umírá s úsměvem - je pojištěn u České pojišťovny!

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